{"id":34837,"date":"2025-03-06T13:26:14","date_gmt":"2025-03-06T12:26:14","guid":{"rendered":"https:\/\/lacastellamonte.it\/fabbrica\/storia-tradizione\/"},"modified":"2026-05-14T12:48:41","modified_gmt":"2026-05-14T10:48:41","slug":"histoire-tradition","status":"publish","type":"page","link":"https:\/\/lacastellamonte.it\/fr\/manufacture\/histoire-tradition\/","title":{"rendered":"Histoire et Tradition"},"content":{"rendered":"

[vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ content_parallax=\u00a0\u00bb0″ uncode_shortcode_id=\u00a0\u00bb205255″][vc_column column_width_percent=\u00a0\u00bb90″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb7″ mobile_width=\u00a0\u00bb7″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb212632″][vc_custom_heading text_height=\u00a0\u00bbaltezza-titoli\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb211153″]L\u2019antique tradition c\u00e9ramique de Castellamonte[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00a0\u00bb119887″]Elle na\u00eet il y a 6000 ans, \u00e0 l’\u00e9poque n\u00e9olithique. La pr\u00e9sence sur les collines de Castellamonte d’une argile facilement extractible a donn\u00e9 naissance, au fil des si\u00e8cles, \u00e0 un art et une technique uniques au monde dans le travail et la transformation de la c\u00e9ramique. <\/p>\n

Notre entreprise a d\u00e9but\u00e9 son activit\u00e9 en 1975 <\/strong>sous le nom de R.P. Castellamonte, en produisant de la c\u00e9ramique traditionnelle et des objets de d\u00e9coration.<\/strong> Son fondateur est Roberto Perino,<\/strong> dipl\u00f4m\u00e9 Ma\u00eetre d\u2019Art \u00e0 l\u2019Institut F. Faccio de Castellamonte. <\/p>\n

En 1984, Silvana Neri rejoint l\u2019entreprise<\/strong> et, en 1987, d\u00e9bute sous la marque LA CASTELLAMONTE la production de po\u00eales en c\u00e9ramique<\/strong> qui, en peu de temps, devient l\u2019activit\u00e9 principale de l\u2019entreprise.<\/p>\n

Tr\u00e8s vite, une recherche technologique est lanc\u00e9e, ax\u00e9e sur l\u2019am\u00e9lioration des performances \u00e9nerg\u00e9tiques. Pour la premi\u00e8re fois dans l\u2019histoire, en 1994, le po\u00eale de Castellamonte est test\u00e9 au D\u00e9partement d\u2019\u00c9nerg\u00e9tique de l\u2019\u00c9cole Polytechnique de Turin,<\/strong> entamant ainsi une collaboration qui se poursuivra au fil des ans.<\/p>\n

En 2011,<\/strong> La Castellamonte entame une collaboration avec le studio Adriano Design de Turin, <\/strong>menant \u00e0 la cr\u00e9ation de la nouvelle collection de po\u00eales \u00ab Stack \u00bb.<\/strong><\/p>\n

Tous les po\u00eales \u00ab La Castellamonte \u00bb sont fabriqu\u00e9s \u00e0 la main dans l\u2019unique site de Castellamonte (TO), selon un processus de qualit\u00e9 constant. Ils sont tous dot\u00e9s de la CERTIFICATION CE pour l\u2019Europe et certains mod\u00e8les sont \u00e9galement certifi\u00e9s selon les normes sp\u00e9cifiques autrichiennes, allemandes et suisses.
\nL\u2019ann\u00e9e derni\u00e8re, La Castellamonte a \u00e9galement obtenu la certification de s\u00e9curit\u00e9 am\u00e9ricaine et canadienne UL et ULc, ainsi que la certification EPA sur les \u00e9missions et les rendements pour les mod\u00e8les Rond\u00f2 et Round Stack. <\/p>\n

Quelques curiosit\u00e9s suppl\u00e9mentaires sur l\u2019histoire des po\u00eales\u2026[\/vc_column_text][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb169217″][vc_single_image media=\u00a0\u00bb34842″ media_width_percent=\u00a0\u00bb100″ media_ratio=\u00a0\u00bbthree-four\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb175902″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ content_parallax=\u00a0\u00bb0″ uncode_shortcode_id=\u00a0\u00bb117338″][vc_column column_width_percent=\u00a0\u00bb90″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb707398″][vc_single_image media=\u00a0\u00bb34843″ media_width_percent=\u00a0\u00bb100″ media_ratio=\u00a0\u00bbthree-four\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb140625″][\/vc_column][vc_column column_width_percent=\u00a0\u00bb90″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb position_vertical=\u00a0\u00bbbottom\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb999694″][vc_custom_heading text_height=\u00a0\u00bbaltezza-titoli\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb802931″]Le po\u00eale de Castellamonte[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00a0\u00bb100714″]Le XIXe si\u00e8cle marque le v\u00e9ritable triomphe du po\u00eale classique de Castellamonte, mais ces po\u00eales \u00e9taient d\u00e9j\u00e0 appr\u00e9ci\u00e9s et demand\u00e9s au cours des si\u00e8cles pr\u00e9c\u00e9dents. Vers la fin du XVIIIe si\u00e8cle,<\/strong> le premier foyer en terre cuite est produit \u00e0 Castellamonte, avec circulation d\u2019air chaud et feu visible : le foyer \u00ab Franklin \u00bb,<\/strong> du nom de l\u2019inventeur qui avait \u00e9tudi\u00e9 le principe de la convection appliqu\u00e9 aux syst\u00e8mes de chauffage. Ce foyer rencontrera un grand succ\u00e8s et contribuera consid\u00e9rablement \u00e0 la renomm\u00e9e de la tradition c\u00e9ramique locale. <\/p>\n

Les premi\u00e8res productions sont attribu\u00e9es \u00e0 la manufacture de c\u00e9ramique Reasso, une ancienne dynastie d\u2019artisans \u00e9tablie depuis des si\u00e8cles au c\u0153ur de S. Rocco, entre les ruelles B. De Rossi et Franklin. Mais c\u2019est le XIXe si\u00e8cle<\/strong> qui marque le v\u00e9ritable triomphe du po\u00eale classique de Castellamonte,<\/strong> qui se pare de d\u00e9corations \u00e9labor\u00e9es, s\u2019habille de gla\u00e7ures vives et devient un v\u00e9ritable objet de d\u00e9coration pr\u00e9cieux. <\/p>\n

Il semble que certains po\u00eales monumentaux aient m\u00eame \u00e9t\u00e9 exp\u00e9di\u00e9s jusqu\u2019\u00e0 la lointaine Russie, \u00e0 Saint-P\u00e9tersbourg. Apr\u00e8s la Seconde Guerre mondiale, le po\u00eale n\u2019est plus utilis\u00e9 pendant de nombreuses ann\u00e9es, supplant\u00e9 par divers types d\u2019installations de chauffage. Apr\u00e8s des d\u00e9cennies d\u2019oubli, gr\u00e2ce \u00e0 une attention accrue port\u00e9e aux valeurs environnementales, aux \u00e9conomies d\u2019exploitation, \u00e0 la salubrit\u00e9 de la chaleur, et non moins important, au courage et \u00e0 l\u2019esprit d\u2019entreprise de quelques valeureux jeunes artisans qui reprennent la tradition c\u00e9ramique, les po\u00eales de Castellamonte reviennent sur le devant de la sc\u00e8ne, reconnus pour leur valeur incomparable, tant pour chauffer que pour d\u00e9corer des maisons anciennes et contemporaines.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ content_parallax=\u00a0\u00bb0″ uncode_shortcode_id=\u00a0\u00bb580394″][vc_column column_width_percent=\u00a0\u00bb75″ align_horizontal=\u00a0\u00bbalign_center\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb7″ mobile_width=\u00a0\u00bb7″ width=\u00a0\u00bb1\/1″ uncode_shortcode_id=\u00a0\u00bb174762″][vc_custom_heading heading_semantic=\u00a0\u00bbh3″ text_size=\u00a0\u00bbh3″ text_height=\u00a0\u00bbaltezza-titoli\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb994807″]L\u2019Art du Po\u00eale et de la C\u00e9ramique de Castellamonte, le rapport avec les Artistes[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ content_parallax=\u00a0\u00bb0″ uncode_shortcode_id=\u00a0\u00bb162803″][vc_column column_width_percent=\u00a0\u00bb90″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb7″ mobile_width=\u00a0\u00bb7″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb205065″][vc_column_text uncode_shortcode_id=\u00a0\u00bb171300″]Il existe des moments privil\u00e9gi\u00e9s o\u00f9 un objet, consid\u00e9r\u00e9 pour sa fonction ou sa d\u00e9coration, atteint des niveaux d\u00e9passant l\u2019intentionnalit\u00e9 de son concepteur et sa destination commerciale.<\/p>\n

\u00c0 l\u2019occasion de la XXIVe Exposition de la C\u00e9ramique, la ville de Castellamonte a eu l\u2019honneur d\u2019accueillir un invit\u00e9 illustre : Enrico Baj.<\/strong> L\u2019engagement du ma\u00eetre milanais a \u00e9t\u00e9 d\u2019unir son art \u00e0 la production artisanale locale. Une collaboration est n\u00e9e avec La Castellamonte (encore d\u00e9nomm\u00e9e RP Castellamonte) qui a mis \u00e0 disposition des assiettes et des plateaux en terre cuite, des fragments de fabrication, des entretoises de four, des frises et des chapiteaux, assembl\u00e9s dans une apparente casualit\u00e9. Il en est r\u00e9sult\u00e9 une s\u00e9rie de \u00ab t\u00eates \u00bb, aux noms bizarres et aux expressions vari\u00e9es : stup\u00e9faites et interdites, hilares ou tristes, ironiques et mena\u00e7antes. <\/p>\n

Sur le po\u00eale mod\u00e8le Vulcano,<\/strong> d\u00fbment recompos\u00e9 dans une s\u00e9quence inhabituelle, Enrico Baj a laiss\u00e9, avec l\u2019aide du feu, l\u2019empreinte ind\u00e9l\u00e9bile de sa peinture.<\/p>\n

L\u2019exposition Torino Design, <\/strong>qui s\u2019est tenue \u00e0 Turin entre avril et juin 1995<\/strong>, a inclus parmi les objets expos\u00e9s le po\u00eale Vulcano, enti\u00e8rement en terre cuite, comme exemple d\u2019objet traditionnel offrant des aspects innovants, tant au niveau du fonctionnement que de l\u2019esth\u00e9tique.<\/p>\n

Le contraste entre la surface en terre cuite naturelle et le design moderne cr\u00e9e un objet o\u00f9 le fil de continuit\u00e9 entre pass\u00e9 et futur est tangible.[\/vc_column_text][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb7″ mobile_width=\u00a0\u00bb7″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb879438″][vc_single_image media=\u00a0\u00bb34844″ caption=\u00a0\u00bbyes\u00a0\u00bb media_lightbox=\u00a0\u00bbyes\u00a0\u00bb media_width_percent=\u00a0\u00bb100″ uncode_shortcode_id=\u00a0\u00bb152630″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ inverted_device_order=\u00a0\u00bbyes\u00a0\u00bb content_parallax=\u00a0\u00bb0″ uncode_shortcode_id=\u00a0\u00bb588271″][vc_column column_width_percent=\u00a0\u00bb90″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb708002″][vc_single_image media=\u00a0\u00bb34845″ caption=\u00a0\u00bbyes\u00a0\u00bb media_lightbox=\u00a0\u00bbyes\u00a0\u00bb media_width_percent=\u00a0\u00bb100″ uncode_shortcode_id=\u00a0\u00bb155098″][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb127781″][vc_column_text uncode_shortcode_id=\u00a0\u00bb145174″]Dans l\u2019exposition th\u00e9matique Delirium Design,<\/strong> d\u00e9di\u00e9e \u00e0 Edgar Allan Poe, \u00e0 l\u2019occasion du dixi\u00e8me anniversaire de l\u2019Exposition \u00ab Abitare le Tempo \u00bb (V\u00e9rone 1995), un po\u00eale \u00ab La Castellamonte \u00bb, r\u00e9interpr\u00e9t\u00e9 et redessin\u00e9 par l\u2019architecte William Sawaya, a \u00e9t\u00e9 pr\u00e9sent\u00e9.<\/strong><\/p>\n

Le style n\u00e9ogothique du po\u00eale, soulign\u00e9 par les arcs et les colonnes, \u00e9voque l\u2019atmosph\u00e8re des c\u00e9l\u00e8bres contes et les suggestions domestiques. L\u2019image du feu peint sur les parois, venant presque se superposer et fusionner avec les flammes internes, en fait un objet inqui\u00e9tant o\u00f9 la fronti\u00e8re entre r\u00e9alit\u00e9 et fantaisie peut ne pas exister.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ content_parallax=\u00a0\u00bb0″ uncode_shortcode_id=\u00a0\u00bb168890″][vc_column column_width_percent=\u00a0\u00bb90″ position_horizontal=\u00a0\u00bbleft\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb151592″][vc_column_text uncode_shortcode_id=\u00a0\u00bb329447″]En 1994, l\u2019artiste Arnaldo Pomodoro,<\/strong> invit\u00e9 de la XXXVe Exposition de la C\u00e9ramique, a con\u00e7u une \u0153uvre monumentale, d\u00e9nomm\u00e9e \u00ab Arc en Ciel \u00bb<\/strong> (Arc), compos\u00e9e d\u2019environ 130 panneaux portant les signes typiques de l\u2019artiste, r\u00e9alis\u00e9e par La Castellamonte (ex-RP) et visible sur la Piazza Martiri della Libert\u00e0 \u00e0 Castellamonte.<\/p>\n

Une autre grande \u0153uvre d\u2019environ 6 m\u00e8tres de haut, visible sur la Piazza della Repubblica, est le Monument au Po\u00eale, con\u00e7u en 2008 par l\u2019artiste Ugo Nespolo et r\u00e9alis\u00e9 par La Castellamonte, avec la collaboration des professeurs Sandra Baruzzi et Guglielmo Marthyn, compos\u00e9 de 200 carreaux de c\u00e9ramique de grande taille \u00e9maill\u00e9s en blanc avec des dessins noirs, decor\u00e9es par l\u2019artiste lui-m\u00eame. <\/p>\n

Enfin, nous pouvons citer la \u00ab Torre di Babele \u00bb (Tour de Babel), con\u00e7ue par l\u2019artiste verrier Silvio Vigliaturo<\/strong> de Chieri et r\u00e9alis\u00e9e par La Castellamonte, visible dans le petit jardin devant les remparts Antonelliani, compos\u00e9e de 120 disques \u00e9maill\u00e9s en blanc avec des d\u00e9cors color\u00e9s en relief.[\/vc_column_text][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb166247″][vc_single_image media=\u00a0\u00bb34846″ caption=\u00a0\u00bbyes\u00a0\u00bb media_lightbox=\u00a0\u00bbyes\u00a0\u00bb media_width_percent=\u00a0\u00bb100″ uncode_shortcode_id=\u00a0\u00bb867682″][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/1″][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/1″][vc_separator sep_color=\u00a0\u00bbavorio-scuro\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb190313″ sep_color_type=\u00a0\u00bbuncode-palette\u00a0\u00bb][vc_column_text text_lead=\u00a0\u00bbsmall\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb245208″]En savoir plus[\/vc_column_text][uncode_index el_id=\u00a0\u00bbindex-1255146″ index_type=\u00a0\u00bbtitles\u00a0\u00bb loop=\u00a0\u00bbsize:All|order_by:title|order:ASC|post_type:page|tax_query:228|taxonomy_count:10″ auto_query=\u00a0\u00bbyes\u00a0\u00bb auto_query_type=\u00a0\u00bbrelated\u00a0\u00bb gutter_size=\u00a0\u00bb2″ drop_width=\u00a0\u00bb2″ drop_ratio=\u00a0\u00bbfive-four\u00a0\u00bb drop_anchor=\u00a0\u00bbmiddle-left\u00a0\u00bb drop_image_time=\u00a0\u00bb250″ drop_radius=\u00a0\u00bb\u00a0\u00bb drop_shadow=\u00a0\u00bbyes\u00a0\u00bb drop_shadow_weight=\u00a0\u00bbstd\u00a0\u00bb drop_image_hover=\u00a0\u00bbaccent\u00a0\u00bb single_title_semantic=\u00a0\u00bbh5″ single_title_dimension=\u00a0\u00bbh5″ single_title_height=\u00a0\u00bbaltezza-titoli\u00a0\u00bb no_double_tap=\u00a0\u00bbyes\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb146130″][vc_separator sep_color=\u00a0\u00bbavorio-scuro\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb190313″ sep_color_type=\u00a0\u00bbuncode-palette\u00a0\u00bb][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

6000 ans de c\u00e9ramique artisanale. De l’argile n\u00e9olithique aux po\u00eales en terre cuite de Castellamonte, un art et une technique uniques au monde qui triomphent depuis des si\u00e8cles. <\/p>\n","protected":false},"author":1,"featured_media":34832,"parent":34819,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-34837","page","type-page","status-publish","has-post-thumbnail","hentry","page_category-manufacture"],"yoast_head":"\nHistoire et Tradition - La Castellamonte | Stufe da sempre, per sempre. 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